NEWS 2006
19 OCT 2006
STATUS SHOW
Dr Newsom, Dr Fong, Dr Cribari, Dr Burr are the "Lab House" Occult, wrapped in a psychological blur, who go Gnostic further (the "Masks of Christ"). Lost threads "makes you wonder" rite in bare bathrooms filled strange echo and reverberation, the hand in the dream, dog fur and slope. Lots of colourshow then traffick from a Frequency Desk in Central London near the British Museum; believable stuff about the Rendlesham Forest Window (May-to-around-September is most active). Close by the pier, 1912 landing, and I'm not talking German spies... They get eaten a lot; unaware supporters. A worm going around the screw-thread of a rusty bolt; camouflage through limited disclosure. Corporate LOGOS and the Graeco-Hellenic LOGOS the same thing in stages, ITANIMULLI.
17 OCT 2006
OKOK IN ONDIT
A chapter on the OKOK Society by Daniel Westerlund,
entitled 'OKOK Society och den analoga ockultismen', appears in the
recently-published Swedish-language esoteric anthology Ondit #1 (Eolit Förlag, 2006). It can be read
(translated if need be) here.
12 OCT 2006
THE GRIDKEEPER
29 SEP 2006
RETHINK RAISED DAIS
Constantly terrified things are stepping up the
Endgame. You can see the mass-media programming. Terrorism =
Tourism. His penis was inside her head. Kill the Dead Already. The
Anonymoid rages East of the Shroud. Revelation 16 for the
occult. Acts 16 against the occult. New Cult called "The
Boilers", revolving around esoteric art practice. Every member wears
a black boilersuit and an eye patch with an eye painted on it. Could
go far; as far as Prague... Telephone Weirdness after: the
answerphone wasn't recording messages; feedback noise in receiver. I
dialed 1471 to get the last-called-number and it started ringing
instead. Then my DVD was playing material I had previously deleted
from the CD-r, to inform me that I cannot hide any information nor
myself from the Controlling Eye.
Voice came through like a full-bird Colonel; he ended his sentences with a rhetorical question like "Isn't that right?" or "Which we all believe, don't we?", that forbade disagreement and maintained his dominance over the discourse, the repeated silent submissions to his will cementing his role as leader. He was behind the British Prime Minister David Ca-moron, SCAMeron, Camera-on "progressive [loony left] Conservative" appeasement stance: "Hug a hoodie" becomes "Mugger hoodie". Queen eLIZARDbeth II = Twin Towers, thanks to a large serving of red herrings and a poisonous mushroom in the schoolbook.
Knowing my acquaintance with the Shaver Mystery - in which Deros means 'detrimental robots' (not the usual type of robot) - I'm informed that DEROS is a military acronym for "Date of Expected Return from Overseas", and told to go on three Deros Tours, who are "Kerry's Longest Established Coach Company", based on Main Street in Killarney, Ireland. All angles covered. Joker took a poker to the mirror, a trysting-place, disguised as a hair salon, who used a special pair of 'scissors' as a ritual implement to mess with people's crown chakras above the top of the head, marking them down for demonic attention, often disguised as the alien thing.
Catcher in the Rye was possessed by the book; it was my "safety catch", that when removed, allowed programming no hell in chance to escape. I was earlier programmed by Giordano Bruno's Clavis Magna (Great Key) from 1580, that details a mental technique called the "Art of Memory": temples visualised in mind storing information, orders and missions. Went to Europe met the skeletons; the whole serial-killer thing, especially Edward Paisnel, the Jekyll & Hyde figure son of wealthy Jersey landowners, who is better known as the "Beast". Obsessed with Black Magic and dressed in a hideous rubber mask and nail-studded bracelets, from 1960 he terrorised the Channel Island of Jersey for eleven years, committing a string of sex-attacks on women and children.
A guardian of several foster children, he also visited Jersey's later-to-be-notorious Haut de la Garenne orphanage at St Martin, where he was known as "Uncle Ted". Dressed as Santa Claus, he would hand out sweets and toys to gain the trust of its little residents for grooming. He also claimed to be part of a Black Magic cult, perhaps the same one operant at the orphange. After much activity, he was finally arrested in 1971 and in December that year was convicted of 13 counts of assault, rape and sodomy and sentenced to 30 years in prison, where he died in 1994. The hardback first edition of his second wife's The Beast of Jersey (Robert Hale, 1972) contains rare photos that do not appear in the later New English Library paperback editions. The text and photos have a sub-function used in Satanic Ritual Abuse (SRA) mind-control programming to implant alters (alternate personalities) in a person by trauma/hypnotic/other mind-ALTERing techniques for black ritual and to generate remote-controlled "copycat" Hydes.
Dice fortune has been elucidated based on the number of troops > Extends to fornication > Apocalypsex. I'm feeling so crossed by the normal world it's 'unreal'. Not sure what to do with myself... I've been honest talking to the right people and no response, just the usual "get on with it" tone. Seems like if you crack up you get help - if you try to talk about it, all you get is misunderstood. How convenient.
The Madness of Crowds is organised masked chipped-shoulders linked by mobile phone alerts electronic telepathy; the shock troops thinking they're "spiralling out of control," roaming the streets unhindered and "getting their own back" on the system - but are doing exactly what the remote-controllers want, to transform this country into a locked-down, total surveillance police state lab rat maze, that still makes them money. ONE WORLD ORDER: its acronym, OWO, is a palindrome, every which way. Told again toady spews wisdom on the unicycle.
16 OCT 2006
ANOTHER INVITE
 |
|
Lindsay Lohan in her various EFFECTOR
Roles shown in mass media.
|
Would I like to go to America, all expenses paid, and meet the (certain) stars, especially the double-initialled, Disney-freaked, "Call to Chaos" girl, Lindsay Lohan? It's not my concern, but I've put a montage of her mass media appearances together (shown above) for sum reason. She is actually microfish, an apple in her own garden, alchemised 2006 by vice acorns and handcuffs, 90-days LA in Shipwreck 13. End of OKOK interest.
19 SEP 2006
THE SALEM MYSTERY
Most of us have heard of the Salem Witch Trials that took place in colonial Massachusetts during the late-17th Century, and some of us have also read of Austin Osman Spare's witch-mother-mentor, Mrs Yelg Paterson, who claimed descent from a line of witches from the very same Salem and whom operated a "fluid and nomadic" coven based in South Wales, which became, or informed, Spare's Zos-Kia Cultus (according to Kenneth Grant's Outer Gateways [Skoob Publishing, 1994]). There is in fact a South Wales village named "Salem", that may be worth a look; indeed, WALES is SALEM with an inverted 'M', but for now let us examine the 1908 watercolour painting by Sidney Curnow Vosper (1866-1942) entitled Salem, that depicts the Salem Baptist chapel built in 1850 in Cefncymerau, Llanbedr, near Harlech, North Wales. It is reproduced below:
 |
|
Sidney Curnow Vosper, Salem
(1908).
|
Mostly using real-life models, though dressed in an earlier style than when it was painted, this on-the-surface 'normal' work conceals something it is best known for: the "goat-face of the Devil" formed in the folds of the shawl on the main figure's left arm, the paisley pattern forming a horn, the folds his eye, nose and mouth, and the shawl's trim his beard.
The model who wears the shawl is Siân Owen, who was scorned following the painting's publication, and tradition has it that this is the reason why her epitaph reads "I am greatly troubled. Enliven me, O Lord, according to your Word." I'm not sure exactly why she became the target for hostility, although she does hold the Bible behind the Devil's face, in a Satanic Reversal of Jesus' famous retort: "Get thee behind me, Satan" (Matthew 16:23). She also had a habit of twitching suddenly and often, that made it difficult for Vosper to paint the shawl, so he ended up pinning it to an artist's dummy nicknamed "Leisa Jones", that the church elders insisted was removed before the weekly Saturday night church meetings. Maybe it was a graven image thing, with suspicions of possession.
Lord Leverhulme bought the painting in 1909, and used it to promote Lever Brothers' Sunlight Soap. Customers could acquire a colour print of it by sending in vouchers collected from packets, thus it became much displayed and seen, becoming something of a Welsh icon. More information can be found in Tal Williams' book, Salem: Y Llun a'r Llan (Painting & Chapel). Cyhoeddiadau Barddas, 1991.
Other works of power were evoked by the Belgian Symbolist Félicien Rops, namely his series of five deeply dark occult colour etchings, Les Sataniques, that were once owned by Arthur Moeller van den Bruck, "The Man Who Invented The Third Reich". Rops' craft-influence reached a wider public when he illustrated Jules Barbey d'Aurevilley's novel, Les Diaboliques, that was translated by the aforementioned Moeller van den Bruck and published in three volumes in 1900. Surrounded by these potent objects, Moeller van den Bruck wrote his magnum opus of spellbinding grey, the eight-volume Die Deutschen: Unsere Menschengeschichte (The Germans: Our People's History), that manifested in 1905 in praise of the "Thousand-Year Reich" (Stan Lauryssens, The Man Who Invented the Third Reich. The History Press, 2010, pp.117-118). The title of his 1923 book, Das Dritte Reich (The Third Reich), was appropriated and employed in the field by the Nazis.
26 FEB 2006
FORTY SHADES OF GREEN EYES
Feel like I'm at the top of the mountain but I haven't started climbing yet. It's all up in the air. The radio turned to Black Metal, an unsure level to begin with. Threw a Bible at it. Scream came out. Static face manifesting in all turned on. Kelly memory.
19 JAN 2006
SAMESONG DECISIONS
I like film, but just don't want to watch them anymore. There's nothing wrong with my attention span, I just think I've seen enough. Am glad Susie pressed Gaspar Noé's short, Carne (1991) and its developed full length sequel, I Stand Alone (1998) on me though, that shocked visceral, which is what I was missing, looking for. Hypnotised by the motion dream, eye identified with lead Pied Piper character, a French existential gift. But it only dramatised what I already knew: time is there for nothing; the dialogue is broken, there's no reply. You are the one you have been waiting for. I'm told things before I think them, through the undulating air. I believe I have children, 'elsewhere'. They imitate to desecrate, their breath of seeds in a glass darkly. The numbering cunt eerie, facing a curate's egg.
My joy in chalk horn, the ghost neither present nor absent, dead nor alive, who intrudes into our world whether we believe it or not. As a starting point you could take the cue from the first modern philosopher, René Descartes (1596-1650). Doubt everything you can, and see what remains. You can't trust objects, as your senses can deceive you and you shouldn't trust something that has deceived you if only the once. Negate everything and await an experiental solution.
12 JAN 2006
THE HARDY LAUREL
The phenomenally successful, supposedly comedic [Stan] Laurel & [Oliver] Hardy film partnership was based on dominance and submission, the strong active bully and the weak passive cissy: an allegory of existence itself, where the carrot or calf must die so the murderer can live. The Laurel-Hardy ouvrer was one long public hazing ritual derived from secret societies, where they often take on a sexual and sadistic form, and are ostensibly performed to bond all members together, but their core function is to program, intimidate and compromise/blackmail the victim and maintain the pecking order.
The Laurel & Hardy signature tune is formally known as Dance of the Cuckoos but was copyrighted as Ku-Ku. Both titles suggest that these actors were surreptitiously placed in various 'nests' like the aforementioned bird. Other codings include: "Hardy died at 65 in '57, which is 75 backwards, Laurel died at 75 in '65, which is the age when Hardy died in '57, which is 75 backwards, which is the age when Laurel died, in '65, at age 75, which is '57 backwards, which is when Hardy died, at age 65, to infinity to the tenth power."
Laurel & Hardy's on-screen trials and tribulations are reminiscent of the malevolent masonic machinations inflicted upon American arch-conspiracy researcher James Shelby Downard in real life at the time (on some level), as delineated in his posthumous The Carnivals of Life & Death: My Profane Youth, 1913-1935 (Feral House, 2006). In this context, note that in A Chump at Oxford (1940), which features the long-time British Intelligence recruiting ground of Oxford University, Laurel & Hardy are hazed via the "Royal Initiation," which involves them spending all night in a maze.
 |
|
A physical human ghost harasses Laurel & Hardy during their hazing ritual at Oxford University in A Chump at Oxford (1940).
|
During their ordeal a (fake) ghost hand comes through the maze's hedge-wall to help Laurel 'light the fire' of his pipe (phallic symbolism), and he is also frightened by a large white stork/swan statue (the swan being a classic symbol of male homosexuality, as male swans are known to form close relationships with each other and bring up babies). Later there are references to trauma-based mind-control, implanted alters (alternative sub-personalities) and soul-swapping. Laurel & Hardy are to be thrown out of a window, that falls on Laurel's head to trigger his Lord Paddington alter, who throws Hardy out of the window and is now shown to be a genius, receiving a call from Albert Einstein asking for advice on his Theory of Relativity. Then the window again falls on Laurel and he is transformed back to his main personality (the window is a symbolic anus and anal sex is weaponised in mind-control).
There are more overt references to secret societies in other Laurel & Hardy films, notably Sons of the Desert (1933), which starts with a meeting of the quasi-masonic Oasis 13, "the oldest lodge of the great Order of the Sons of the Desert," and A-Haunting We Will Go (1942), where the duo remark that they once belonged to a lodge. Indeed, on the American TV show This Is Your Life (first broadcast 1 December 1954) it was revealed that Hardy was an actual Freemason (he was an initiated brother of Solomon Lodge No.20, Jacksonville, Florida, USA). It is unknown whether Laurel was also a Freemason, but he was, along with Hardy, a member of the quasi-masonic Grand Order of Water Rats. They were both good men, but naive non-boat-rockers, unwittingly caught in the deeply-coded and outsider-mocking sorcerous script not necessarily written by initiates of Freemasonry, but a more shadowy cult.
The ancient Greeks wore garlands of LAUREL round their heads, for the laurel tree was sacred to the god Apollo; laurel leaves were held by the Pythia and her consultants at the Delphic Oracle, where Apollo answered the questioner through the Pythia. It is a very HARDY evergreen tree to around -7C. Hence the comic pair represent the "Hardy Laurel" which in turn represents both the fecund nature spirit and prophecy. 'Their' monochrome motion-pictures depict these things but in a wizarding warped way, the former by Laurel & Hardy as an addictive, co-dependent sadist-masochist microcosm operating in a hostile, tricksterish, often maddening macrocosm controlled by unknown hands (maybe claws or tentacles), and the latter as "predictive programming" spells that birth ideas and behaviours in the unsuspecting audience and instils in them the top-down rule that whatever game one invents or plays it is subject to a larger and stronger force; that whomever one is one is always a slave to the Cryptocracy - if you believe it, even in dreams.
01 JAN 2006
CASSETTE LUST
I have just discovered that Sony used to produce a "Super Metal Master" C90 audio-cassette, a Hi-Bias Metal formulation tape with "Advanced Modulation Control" housed in a ceramic-composite cassette shell to minimise any vibrations and with a silver Magnesium case. The audiophile who informed me also states that it was the best Type IV tape ever made, with an enormous difference in sound-quality to other contenders. They don't seem to have been widely advertised, which is a shame, as I wish I'd known about them during my audio-cassette fetish days. Would have made a superb focus-crucible for OKOKian Third Side ritual tape-making. They're now discontinued, and getting mighty scarce. Oak Tree Enterprises in the USA had some unopened "New Old Stock" ones from 1990 for sale, but they've been snapped up.
After a bit more research, I've discovered more top-of-the-range Type IV Metal Tapes by other manufacturers that were also previously-unknown-to-me:
 |
|
The TDK MA-R. Utilised TDK's special
"Reference Standard Cassette Mechanism" which brought much
more accurate dimensions though unique shell constrution
with fine high-precision die-cast aluminium frame and
three-layer construction which assured the most stable
support for tape reels, guides and rollers, and preventing
thermal expansion or warping. The RSCM concept also ensured
very accurate azimuth alignment of the tape and the
recorder's head, and its clear anti-friction sheets ensured
smooth, accurate tape run. The new MA (Metal Alloy) cassette
tape also gave superb MOL characteristics.
|
 |
|
The next generation: the TDK MA-XG. With
Dual Metal Particle Coating, Extra Wide Dynamic Range and
Reference Standard Cassette Mechanism III.
|
 |
|
The BASF REFERENCE MAXIMA TP II. Promising
"Top Precision".
|
And what about this rather curious very early Ferric from 1965, the GRUNDIG DC:
 |
 |
 |
Ahh, the analogue ecstasy is calling me once more... I shall have to re-investigate Tapework, that was the magic charm of a good sound to hear this and wonder recording.